STORM ENDING

Thunder blossoms gorgeously above our heads,

Great, hollow, bell-like flowers,

Rumbling in the wind,

Stretching clappers to strike our ears ..

Full-lipped flowers

Bitten by the sun

Bleeding rain

Dripping rain like golden honey—

And the sweet earth flying from the thunder.

 

REAPERS

Black reapers with the sound of steel on stones

Are sharpening scythes. I see them place the hones

In their hip-pockets as a thing that’s done,

And start their silent swinging, one by one.

Black horses drive a mower through the weeds,

And there, a field rat, startled, squealing bleeds,

His belly close to ground. I see the blade,

Blood-stained, continue cutting weeds and shade.

 

 

NOVEMBER COTTON FLOWER

Boll-weevil’s coming, and the winter’s cold,

Made cotton-stalks look rusty, seasons old,

And cotton, scarce as any southern snow,

Was vanishing; the branch, so pinched and slow,

Failed in its function as the autumn rake;

Drouth fighting soil had caused the soil to take

All water from the streams; dead birds were found

In wells a hundred feet below the ground—

Such was the season when the flower bloomed.

Old folks were startled, and it soon assumed

Significance. Superstition saw

Something it had never seen before:

Brown eyes that loved without a trace of fear,

Beauty so sudden for that time of year.

 

 

FACE

Hair—

silver-gray,

like streams of stars,

Brows—

recurved canoes

quivered by the ripples blown by pain,

Her eyes—

mist of tears

condensing on the flesh below

And her channeled muscles

are cluster grapes of sorrow

purple in the evening sun

nearly ripe for worms.

 

COTTON SONG

Come, brother, come. Lets lift it;

Come now, hewit! roll away!

Shackles fall upon the Judgment Day

But lets not wait for it.

God’s body’s got a soul,

Bodies like to roll the soul,

Cant blame God if we dont roll,

Come, brother, roll, roll!

Cotton bales are the fleecy way

Weary sinner’s bare feet trod,

Softly, softly to the throne of God,

“We aint agwine t wait until th Judgment Day!

Nassur; nassur,

Hump.

Eoho, eoho, roll away!

We aint agwine t wait until th Judgment Day!”

God’s body’s got a soul,

Bodies like to roll the soul,

Cant blame God if we dont roll,

Come, brother, roll, roll!

 

 

SONG OF THE SON

Pour O pour that parting soul in song,

O pour it in the sawdust glow of night,

Into the velvet pine-smoke air to-night,

And let the valley carry it along.

And let the valley carry it along.

O land and soil, red soil and sweet-gum tree,

So scant of grass, so profligate of pines,

Now just before an epoch’s sun declines

Thy son, in time, I have returned to thee,

Thy son, I have in time returned to thee.

In time, for though the sun is setting on

A song-lit race of slaves, it has not set;

Though late, O soil, it is not too late yet

To catch thy plaintive soul, leaving, soon gone,

Leaving, to catch thy plaintive soul soon gone.

O Negro slaves, dark purple ripened plums,

Squeezed, and bursting in the pine-wood air,

Passing, before they stripped the old tree bare

One plum was saved for me, one seed becomes

An everlasting song, a singing tree,

Caroling softly souls of slavery,

What they were, and what they are to me,

Caroling softly souls of slavery.

 

 

 

 

GEORGIA DUSK

The sky, lazily disdaining to pursue

The setting sun, too indolent to hold

A lengthened tournament for flashing gold,

Passively darkens for night’s barbecue,

A feast of moon and men and barking hounds,

An orgy for some genius of the South

With blood-hot eyes and cane-lipped scented mouth,

Surprised in making folk-songs from soul sounds.

The sawmill blows its whistle, buzz-saws stop,

And silence breaks the bud of knoll and hill,

Soft settling pollen where plowed lands fulfill

Their early promise of a bumper crop.

Smoke from the pyramidal sawdust pile

Curls up, blue ghosts of trees, tarrying low

Where only chips and stumps are left to show

The solid proof of former domicile.

Meanwhile, the men, with vestiges of pomp,

Race memories of king and caravan,

High-priests, an ostrich, and a juju-man,

Go singing through the footpaths of the swamp.

 

Their voices rise … the pine trees are guitars,

Strumming, pine-needles fall like sheets of rain…

Their voices rise … the chorus of the cane

Is caroling a vesper to the stars…

O singers, resinous and soft your songs

Above the sacred whisper of the pines,

Give virgin lips to cornfield concubines,

Bring dreams of Christ to dusky cane-lipped throngs.

 

 

NULLO

A spray of pine-needles,

Dipped in western horizon gold,

Fell onto a path.

Dry moulds of cow-hoofs.

In the forest.

Rabbits knew not of their falling,

Nor did the forest catch aflame.

 

EVENING SONG

Full moon rising on the waters of my heart,

Lakes and moon and fires,

Cloine tires,

Holding her lips apart.

Promises of slumber leaving shore to charm the moon,

Miracle made vesper-keeps,

Cloine sleeps,

And I’ll be sleeping soon.

Cloine, curled like the sleepy waters where the moon-waves start,

Radiant, resplendently she gleams,

Cloine dreams,

Lips pressed against my heart.

 

 

 

 

 

CONVERSION

African Guardian of Souls,

Drunk with rum,

Feasting on a strange cassava,

Yielding to new words and a weak palabra

Of a white-faced sardonic god—

Grins, cries

Amen,

Shouts hosanna.

 

 

PORTRAIT IN GEORGIA

Hair—braided chestnut, coiled like a lyncher’s rope,

Eyes—fagots,

Lips—old scars, or the first red blisters,

Breath—the last sweet scent of cane,

And her slim body, white as the ash of black flesh after flame.

 

 

 

BEEHIVE

Within this black hive to-night

There swarm a million bees;

Bees passing in and out the moon,

Bees escaping out the moon,

Bees returning through the moon,

Silver bees intently buzzing,

Silver honey dripping from the swarm of bees

Earth is a waxen cell of the world comb,

And I, a drone,

Lying on my back,

Lipping honey,

Getting drunk with silver honey,

Wish that I might fly out past the moon

And curl forever in some far-off farmyard flower.

 

PRAYER

My body is opaque to the soul.

Driven of the spirit, long have I sought to temper it unto the spirit’s longing,

But my mind, too, is opaque to the soul.

A closed lid is my soul’s flesh-eye.

O Spirits of whom my soul is but a little finger,

Direct it to the lid of its flesh-eye.

I am weak with much giving.

I am weak with the desire to give more.

(How strong a thing is the little finger!)

So weak that I have confused the body with the soul,

And the body with its little finger.

(How frail is the little finger.)

My voice could not carry to you did you dwell in stars,

O Spirits of whom my soul is but a little finger…