My cousins, Kate and Tom Howard, married at Trinity, at Easter time, concluded to commence housekeeping by taking one of those delightfully expensively furnished, unfurnished cottages, with which the fashionable watering place of W—— abounds, from whose rear windows one might almost take a plunge into the surf, the beach beginning at the back door. They went down quite early in May, being in a great hurry to try their domestic experiment; and, as the evenings were still cold, they spent them about the open fire, “spooning.”
It was upon one of those nights, about eleven o’clock, that they were startled by a noise, as of some small object falling, soon followed by the sound of heavy footsteps, and then quiet again reigned supreme. At once Tom, poker in hand, boldly started in search of the burglar, followed by Kate, wildly clutching at his coat-tail, and in a state of tremor. They looked upstairs, under the various beds, Kate suggesting that in novels they were always to be found there.
The dining-room was next explored, where all seemed well, and, lastly the kitchen, where they found what was evidently a solution of the mystery. The burglar had entered by the back door, which was found to be unlocked and slightly ajar. The first excitement subsiding, they returned again to the dining-room, where Tom, upon closer inspection, then discovered that one of a pair of quaint little pepper-pots, wedding gifts, was missing, and other small articles on the sideboard had been slightly disturbed.
The next morning, when Kate mildly remonstrated with the queen of the kitchen for her carelessness, she received a shock by being told that it was her usual custom to leave the door open, “so that it would be aisy, convanient loike for the milkmaid.” They parted with her, and a new maid was engaged, whose chief qualification for the place was that she was most faithful in the discharge of her duties, especially in “locking up.”
While they mourned the loss of the pepper-pot, still it seemed so trifling when they thought of that lovely repousse salad bowl, sent by Aunt Julia, which stood near by, that nothing was said of the loss outside of the family, and the little household settled into its normal state once more of “billing and cooing.”
About a fortnight later, Tom started out one night with an old fisherman, one of the natives, and a local “character,” to indulge in that delightful pastime, so dear to the heart of man, known as “eeling,” and, as the night was dark, the eels were particularly “sporty,” so that it was well on towards the “wee sma’ hours” when Tom at last returned to the cottage.
He found all excitement within. Kate was in hysterics, and the new maid, also weeping, was industriously applying the camphor bottle to her mistress’ nose. The burglar, or ghost, as they had now decided, the windows and doors being found to be securely locked this time, had been abroad again, but had succeeded in purloining nothing. His royal ghostship had amused himself, apparently, by simply walking about.
“Oh, Tom! he had on such heavy boots and was so dreadfully bold about it,” said Kate, tearfully.
From that time Kate became nervous and refused to be left alone. Tom started whenever a door creaked, and the “treasure” departed hurriedly, saying, “Faith, the house is haunted, sure.”
After that Kate spent her days in “girl hunting,” and her nights in answering shadowy advertisements that never materialized. They tried Irish, English, Dutch, and a “heathen Chinee,” with a sprinkling of “colored ladies” to vary the monotony. They seemed about to become famous throughout the length and breadth of the land as “the family that changes help once a week,” when they landed Treasure No. 2.
Shortly after her advent we were all asked down to W——, to help celebrate their happiness, and incidentally to christen the new dinner set. We were not a little surprised at finding Kate so pale and Tom rather distrait. However, after a delightful dinner, that should have filled with pleasure the most exacting bride, we adjourned to the piazza, leaving the men to the contemplation of their cigars. We were enthusiastic in our praise of the house, and congratulated Kate in securing such a prize, when, to our horror, she burst into tears, and said: “Oh, girls, it’s a dreadful place; it’s haunted!” and then tearfully proceeded with the details, until we all felt creepy and suggested the parlor and lights.
It was not until long afterwards that Kate discovered that Tom had also related the “ghost story” to the men, that evening, to which Ned Harris had said, laconically, “Rats,” and Bob Shaw laughingly remarked, “Tom, old chap, you really shouldn’t take your nightcap so strong.”
About the first of July the climax came. The ghost walked again, this time taking not only the remaining pepper-pot, but also a silver salt-cellar. Evidently he had a penchant for small articles, but unlike former times, everything on the sideboard was in the greatest disorder. Aunt Julia’s salad bowl was found on the floor, and not far away the cheese-dish, with its contents scattered about. This time one of the windows was found half open. A week later a note came to me from Kate, saying that she and Tom had gone to Saratoga to spend the remainder of the season with her mother.
The following spring Tom received a note and parcel from Mr. B——, the owner of the house at W——, which read as follows:
Dear Mr. Howard: I send you by express three articles of silver, which my wife suggests may belong to you, as they are marked with your initials, namely, two silver pepper-pots and a salt-cellar; they were found, the other day, during the process of spring house cleaning, in a rat hole, behind the sideboard. I forgot to have the holes stopped up last spring, or to caution you against the water rats; the great fellows will get in, you know. Kind regards to Mrs. Howard.
Very truly,
John B——.
The next season the “Ghost Club” was organized, the badge being a small silver rat, bearing proudly aloft a tiny pepper-pot. We thoughtfully offered Tom the presidency, but he declined, with offended dignity, from the effects of which I think he will never fully recover.
Virgil Hoyt, a photographer’s assistant up at St. Paul, had a whimsical view of the world, and he did not like to be bothered with anything disagreeable. That is the reason that he loathes and detests going to a house of mourning to photograph a corpse. The horribly bad taste of it offends him partly, and partly he is annoyed at having to shoulder, even for a few moments, a part of someone’s burden of sorrow. He doesn’t like sorrow and would willingly canoe 500 miles up the cold Canadian rivers to get rid of it. Nevertheless, as assistant photographer, it is often his duty to do this very kind of thing.
Not long ago he was sent for by a rich family at St. Paul to photograph the mother, who had just died. He was very much put out, but he went. He was taken to the front parlor, where the dead woman lay in her coffin. It was evident that there was some excitement in the household and that a discussion was going on, but Hoyt wasn’t concerned, and so he paid no attention to the matter.
The daughter wanted the coffin turned on end, in order that the corpse might face the camera properly, but Hoyt said he could overcome the recumbent attitude and make it appear that the face was taken in the position it would naturally hold in life, and so they went out and left him alone with the dead.
The face was a strong and positive one, such as may often be seen among many matrons. Hoyt regarded it with some admiration, thinking to himself that she was a woman who had been used to having her own way. There was a strand of hair out of place, and he pushed it back from her brow. A bud lifted its head too high from among the roses on her breast and spoiled the contour of the chin, so he broke it off. He remembered these things later very distinctly and that his hand touched her bare face two or three times.
Then he took the photographs and left the house.
He was very busy at the time and several days elapsed before he was able to develop the plates. He took them from the bath, in which they had lain with a number of others, and went to work upon them. There were three plates, he having taken that number merely as a precaution against any accident. They came up well, but as they developed he became aware of the existence of something in the photograph which had not been apparent to his eye. The mysterious always came under the head of the disagreeable with him, and was therefore to be banished, so he made only a few prints and put the things away out of sight. He hoped that something would intervene to save him from attempting an explanation.
But it is a part of the general perplexity of life that things do not intervene as they ought and when they ought, so one day his employer asked him what had become of those photographs. He tried to evade him, but it was futile, and he got out the finished photographs and showed them to him. The older man sat staring at them a long time.
“Hoyt,” said he, at length, “you’re a young man, and I suppose you have never seen anything like this before. But I have. Not exactly the same thing, but similar phenomena have come my way a number of times since I went into the business, and I want to tell you there are things in heaven and earth not dreamt of——”
“Oh, I know all that tommy-rot,” cried Hoyt, angrily, “but when anything happens I want to know the reason why, and how it is done.”
“All right,” said his employer, “then you might explain why and how the sun rises.”
But he humored the younger man sufficiently to examine with him the bath in which the plates were submerged and the plates themselves. All was as it should be. But the mystery was there and could not be done away with.
Hoyt hoped against hope that the friends of the dead woman would somehow forget about the photographs, but of course the wish was unreasonable, and one day the daughter appeared and asked to see the photographs of her mother.
“Well, to tell the truth,” stammered Hoyt, “those didn’t come out as well as we could wish.”
“But let me see them,” persisted the lady. “I’d like to look at them, anyway.”
“Well, now,” said Hoyt, trying to be soothing, as he believed it was always best to be with women—to tell the truth, he was an ignoramus where women were concerned—“I think it would be better if you didn’t see them. There are reasons why——” he ambled on like this, and of course the woman said she would see those pictures without any further delay.
So poor Hoyt brought them out and placed them in her hand, and then ran for the water pitcher, and had to be at the bother of bathing her forehead to keep her from fainting.
For what the lady saw was this: Over face and flowers and the head of the coffin fell a thick veil, the edges of which touched the floor in some places. It covered the features so well that not a hint of them was visible.
“There was nothing over mother’s face,” cried the lady at length.
“Not a thing,” acquiesced Hoyt. “I know, because I had occasion to touch her face just before I took the picture. I put some of her hair back from her brow.”
“What does it mean, then?” asked the lady.
“You know better than I. There is no explanation in science. Perhaps there is some in psychology.”
“Well,” said the lady, stammering a little and coloring, “mother was a good woman, but she always wanted her own way, and she always had it, too.”
“Yes?”
“And she never would have her picture taken. She didn’t admire herself. She said no one should ever see a picture of hers.”
“So?” said Hoyt, meditatively. “Well, she’s kept her word, hasn’t she?”
The two stood looking at the pictures for a time. Then Hoyt pointed to the open blaze in the grate.
“Throw them in,” he commanded. “Don’t let your father see them—don’t keep them yourself. They wouldn’t be good things to keep.”
“That’s true enough,” said the lady, slowly. And she threw them in the fire. Then Virgil Hoyt brought out the plates and broke them before her eyes.
And that was the end of it—except that Hoyt sometimes tells the story to those who sit beside him when his pipe is lighted.